As a photographer, I am less interested in decisive moments or single observations than I am in what might be considered states of limbo buildings and houses, tracts of land, cars, objects, transit systems and even people that have been in stasis for years or decades but that may now be showing subtle signs of impending change. I also try to capture the human desire for this kind of limbo, or more accurately the desire for stability, which is often at odds with the equally human desire for change.
STEVEN LANG 